with new wake up! ep further apart lerosa s mark of fluent, elemental and strong work offers increasingly deeper sulphuric and acid sounds. down reaching, complex grooves and rhythms give direction into solid moving tracks - where i want to dance. currently located in the emerald isle of ireland, you wonder if context gives form to lerosa s sound, a permanently sodden landscape offering the backdrop. weighty tracks such as terza persona seat layers of digital, organic beats, peals and stabs that contain the same sort of dark nourishment that staring at a black bog in connemara* might evoke. despite its wide, dark tones, lerosa s tracks always contain a dimension of upbeat empathic elements which make it so attractive, the kinda pelvic push and pull where you wish you had the foot work to pelt out some shapes. *connemara is a district in the west of ireland, the boundaries of which are not well defined

limited edition vinyl features white scratch-off ink and a 25 cent piece cased in a plastic outer sleeve. each copy will be unique, as the quarter will move around the plastic sleeve in transit creating its own pattern. this is intentional, so any scratches that appear on the front cover when the vinyl arrives is a result of this. sirens is the highly anticipated second full-length lp from nicholas jaar, the chilean-born electronic music producer, mixing engineer and dj, which comes out on october 14, 2016 via other people/kobalt. a prolific artist with a wide palette of talents, jaar spent his teenage years in dance music circles in new york city, where he now resides. in 2011, he released his debut album, the critically-acclaimed space is only noise. in 2012, he was contributed to bbc radio 1’s prestigious ‘essential mix’ series, winning ‘essential mix of the year’. in 2013, matador released the debut album from darkside, jaar’s project with his friend dave harrington. the band toured the record with a giant, rotating circular mirror, with key performances at primavera sound and coachella. other notable projects by jaar include from scratch, a live concept first developed for moma ps1, pomegranates, an ambient record and alternate soundtrack to the armenian film the colour of pomegranates, and the original soundtrack for dheepan, a thriller by the french filmmaker jacque audiard about a family of sri lankan refugees living in the suburbs of paris. dheepan won the palme d’or at cannes in 2015. jaar is the founder of the new york based imprint other people, releasing music and spoken word by a diverse group of artists ranging from lydia lunch to ezekiel honig

towards a fearless future…
roberto auser is known for his wide range of sounds and releases on viewlexx and his own ausland label. next to that he is part of kaval (vrystaete). even though his releases until now go from italo disco inspired electro to exotica and dark jazz influenced electronics his production is always rather smooth. for enfant terrible he shows his raw and dirty side. “faceless future” is an old school minimal elektro record done with analogue synths with a real industrial and post-punk attitude. this record pays tribute to (early) cabaret voltaire, (early) front 242 and (later-day) le syndicat electronique. simply minimal electronics as it should sound… rough and unpolished…
limited to 250 copies.

nice price deal !!! science fiction limited s fourth release, saturn, solidifies the italian duo s ability to navigate a wide range of emotion (& bpm), while retaining a consistency of style that mirrors all of their previous releases - these are four raw, banging, purely analogue tracks, each tirelessly rehearsed and recorded live.

franck vigroux is one of the few artists who are both a musician and a director. as a composer- performer he has the rare capacity to produce a very wide range of sounds from electroacoustic to industrial noise, modern composition and experimental electronic music.

after releases on nowar, terpsichoré and cinematic, french artist the florian muller project gives parisian label escapade their second release. the four tracks span across a wide range of electronic sounds, showcasing the artists rich influences. friday afternoon opens the record with a solid house groove featuring a beautiful rhodes solo. hommage galactique pays a tribute to detroits hi-tech jazz sound pioneered by underground resistances galaxy 2 galaxy. on the b side, the forian muller project leaves out his jazz influences. the hypnotic sounds of frederique conjure up a mysterious, almost jungle-like, ambiance and low tech soul ends the record on a deep and atmospheric techno vibe.

nearly three years after the last split 12inch from dungeon meat and se62, my love is underground is finally back in action with an expansive doublepack of essential cuts from a wide range of producers that reaffirm the label s status as one of the leading exponents of classically rooted deep house music. with previous releases including brawther, the nathaniel x project and kool vibe, jeremy undergrounds label has done much to keep the heart and soul of real house music relevant in the 21st century. this new compilation follows in a long line of showcase releases from my love is underground, giving a platform to new talent as well as championing old favourites of the label. mid 90s legends teflon dons make a welcome return, franck roger represents the lasting legacy of parisian house music and uk mainstay tristan da cunha brings the goods in a break from his dungeon meat project. elsewhere hugo lx represents the new generation, fresh from a release on courtesy of balance, while malin genie has been rapidly building up a reputation on will & ink and lazare hoche. dj steaw has been spotted on traxx underground and rutilance, and ebony cuts returns after a debut on kojak giant sounds last year

after countless singles, lps and performances played around the world, james donadio is back with his first full length effort since 2014s petit cochon. ghost detergent is a consummate amalgam of fried gear, chunky bass and fractured samples. donadio s extraordinary ability to fuse his wide range of influences into a collection of lucidly executed and concise jams has reached it s paragon.

adesse versions coming on toy tonics! after some heavy releases on numbers, local talk, make love in public spaces and his own white-label imprint, kevin gorman brings us four new raw, heavydriving, superfunky cut-and-paste- house tracks. killers! adesse versions started as a re-edit project while kevin lived in vietnam. it grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (check his boiler room). gilles peterson, derrick may and larry heard are fans. adesse versions is all about paying tribute to his musical idols and creating timeless music. through rough sampling and raw emotion and as a dj and collector. he is an artist that has toured the world many times over. exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. to hear this in action, check out the monthly adesse versions show on rinse fm.

die aus los angeles, ca stammende band orgy machte mit ihrem multimillionsellern candyass und vapor transmission erstmals zu beginn des milleniums von sich reden. das debütalbum verkaufte weltweit über 2 millionen und lieferte mit der coverversion des new order klassikers blue monday einen weltweiten hit. das dritte album der band punk static paranoia lieferte die band erstmals über ihr eigenes label d1 music aus und erreichte platz 11 der us billboard charts mit über 280.000 verkauften einheiten. nach einer fast 7-jährigen pause meldet sich die band jetzt mit ihrem neuen album talk sick zurück, welches die band auch erstmals auf tour nach europa bringen wird.

detroit isn t just a place. sure, it is a place, and those who physically live there know its triumphs and its tragedies far better than anyone else. but detroit is also a feeling, a sound, a philosophical home for those who connect with the futuristic, dystopian sounds of detroit techno and electro on a deep level. those tendrils of connection reach far and wide, bringing people from all over the world into orbit with the people and sounds of the city, connecting through the snap of a snare, the wiggly groove winding its way through the beat, the beauty in the sound of strings, the anger in a bubbling bassline.

minimood continues with a deep piece of heady minimal from esteem german producer sascha dive with a mesmerizing remix by celebrated dutch producer ion ludwig. the after the storm ep is released on vinyl only. after the storm is ten sumptuous minutes of moody and atmospheric deep minimal house with warbling synths, meandering drums and spooky, spaced out atmospheres. the drums roll on free from any friction and the pads are delicate, elegant affairs that circle round you and leave you hanging in a wide open space. vocals sounds like those from a spaceship s pa and lend the whole thing a sense that you are voyaging through the galaxies. it is a truly burrowing track that gets right into your mind, body and soul. ion ludwig s remix is quicker and more synthetic, with waify pads, gently breaking waves and fizzing little modular synth lines that are crisp and rhythmic and will fit perfectly into a set by the likes of ricardo villalobos. this is classy and subtle music that is stripped back and slow burning yet has a huge impact.

2lp+download ! in my room proudly presents fixion, the fourth full-length offering from anders trentemoller. with fixion, anders has crafted a logical successor to 2013s lost - a record that in many ways managed to truly capture the visceral live experience of trentemoeller as a full-band. in much the same manner that lost built on from the somber cinematic classic that was into the great wide yonder, fixion has embraced the danish artists trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.

limited deluxe collectors edition 2lp,180g, gatefold with spot varnish+mp3 download+download bonus track rework! in my room proudly presents fixion, the fourth full-length offering from anders trentemoeller. with fixion, anders has crafted a logical successor to 2013s lost - a record that in many ways managed to truly capture the visceral live experience of trentemoeller as a full-band. in much the same manner that lost built on from the somber cinematic classic that was into the great wide yonder, fixion has embraced the danish artists trademark melancholy and matured it into something uniquely atmospheric and darkly romantic

desolat label boss loco dice is back with what is sure to be a massive autumn package: he has remixed the seminal dance track ‘go’ by the legendary moby, twice, and has made it all his own in the process. moby needs little introduction: the american dance producer and live performer’s albums are classics of the genre that are celebrated far and wide. they have been used on thousands of adverts, have given rise to hit singles all over the world and have made him one of the most celebrated electronic music stars of our time. his ‘go’ track was what started it all for him back in the 90’s, and was a bona fide club classic of the day. it still resonates today and always gets crowds going. now it has been remixed twice by loco dice, who has added his own stamp to it in distinctive fashion. his first excellent version is eight minutes of chunky and tribal drums, with rubber kicks, clipped horn stabs and big hits all building the pressure. those most famous vocal cries really finish it off in style, and ensure that dance floors will go wild whenever it is dropped, as do wonky synths and big piano chords at the breakdown. the second version is more emotive, with big sweeping strings smeared in the background to help make it all the more dramatic, teary eyed and impactful on the floor. this one is for the peak time in any set and is sure to make the most memorable moment of any night. both remixes here pack a real punch, and whilst remaining true to the original, they both sound just like you would expect from modern dance heavyweight loco dice.

remastered reissue on 180 gram double vinyl, housed in a gatefold sleeve.

ur next vinyl is by marcelo bertinetti, this time with a single and three remixes by marc cotterell, martin bellomo y guillermo de caminos. marc cotterell, owner of one of the most recognized record labels in the american and world wide scene of house music. with multiple releases in digital and vinyl, he got us accustomed to the sounds of garage house, chicago and classic detroit.

after years of releasing quality house eps, brighton based black key records scores something of a coop: its first full length is a sixth album from tom ellis, a core member and resident of the esteemed freerotation festival who is already well known to those in the know. his beautifully titled, eight track lp from the cabin above the clouds is due on april 4th and comes ahead of him launching his own new label.

nice price deal !!! besides delivering impeccable back2back performances behind the decks at events world wide (such as sensation, extrema festival and a day at the park), organizing their own housequake events (15th august & 13th september at blm9, bloemendaal) dj duo roog and erick e also made their way into the studio! after spending quite some hours behind the mixing console, the result is nothing short of amazing: housequake & anita kelsey shed my skin.

one of the most accomplished and celebrated bands in the field of contemporary, unclassified pop music. almamegretta are masters in combining a wide range of elements such as dub, funk, reggae, world and electronica, all filtered through their own deep southern italian roots. the band from naples is now back with a new album, mixed by the dub master adrian sherwood, who had already been involved in their mid-nineties masterpiece “sanacore”. this new work consists of ten tracks, nine originals plus a well chosen cover of an old neapolitan hit by nino d’angelo transformed into a lovers rock style song. almamegretta’s original line up of gennaro t tesone, paolo polcari and raiz is augmented by a great list of collaborators and the result is a strong and multi layered set made of afro-funk numbers, reggae ballads, and other riddims, while the british dub influence remains central within the group’s wide sound palette. the title “ennenne”, which means no name, is inspired by the acronym used for those who are born from unknown parents. the right title for such a highly dense picture based on the combination of contemporary sounds and social topics.
file next to: massive attack, on-u sound, dub syndicate, tricky

we live a life in between exorcism and consumption stirring up a piece of sh-which might be the forgotten, the unexpected, the unusual, the left behind. dust as a metaphor for our repetitive culture, can t be better chosen to head the redust ep on formresonance. grainy and with a sixth sense of its pulse, the tracks do emerge into a wide soundstream. dust hereby transports a piece of wisdom: the sound signature. knowledge which is inherent in class-a circuits, vinyl, or tape and which can be barely re-produced. georg stuby is already a dj on stage, like burning man, club der visionäre… he resident in the zürich party scene, teaches at the school of sound and drops out some nice tips on his own blog: www.georgstuby.com the redust ep is his debut release. jonas & christopher lawrenz provide their experience with georgs music, even longer.
pressing on blue marbled vinyl.

born in sao paulo to a deeply religious family, laercio has been around music all his life - amidst the challenges of daily life, his adventist parents would whip out all sorts of instruments whenever the situation would allow it, introducing a young and curious mind to a wide range of musical expressions. it should come as no surprise, then, that our hero quickly felt at home with notes and bars, choosing the flute as his first weapon of choice which he eagerly studied from the age of seven. even later non-musical career choices always reflected an infatuation with the world of sounds, like his stint as a capoeira teacher, combining martial arts, acrobatics and dance. with such a multi-faceted background in music, the inevitable tinkering with synthesizers and other means of electronic sound generation was rather a question of time than one of ambition, and sure enough we find laercio roaming the parties of the mid-noughties, absorbing the unique melange of styles and scales that inform club culture to this day. in stark contrast to most other rave inductees at the time, however, he never wanted to become a dj: his area of expertise is the performance, not the collecting and curating of other people s releases, and it shows in the unusual fact that laercio has held club residencies as a live electronic musician in venues like sao paulo s the edge without ever so much as touching a record. in these release l_cio has worked with d.o.c. mastermind gui boratto. and the result is music for the dancefloor.

limited 200 lp 12” units world wide, best italian quality, withe vinyl with double sleeve - very cool look (contains texts), excellent sound master, very good sound. this release contains 4 original n.o.i.a.’s tracks but reworked, and 4 exlusive remixs by: the hacker, hard ton, l.a.s.’s crime and potochkine.

since 1987, frak have been everyone s favourite, premier swedish synthesizer-touching weirdos. even if most people hadn t heard of them until 4 years ago. and yet, world of frak is as long as it is wide. as blue as it is black. as ominous as it is glorious. as dirty as it is hairdryer. sweet it is as yellow paper as. all of the above is a perfect example of how trying to convey what frak is in the crass form of words is ultimately fruitless. here is a double 12inch vinyl product from ultimate hits featuring eight audio recordings from frak: three men who have known each other since at least 1987. the sleeve was lovingly hand screen-printed at the studio of house of traps, and features the colours commonly known as pink and black.

the first volume in an ongoing series compiled by butter sessions & noise in my head, domestic documents surveys independent artists who are living and producing electronic abstraction in australia far from a complete guide to the country s burgeoning scene, the 2lp set presents a cross-section of wide ranging sounds and ideas, travelling the endless highways between brisbane, sydney, canberra, melbourne & adelaide as well as regional towns, ballarat and keyneton. featuring exclusive tracks from daze, mic mills, albrecht la brooy, lucy cliche and more, the comp also marks the first vinyl outing for newcomers chiara kickdrum, ben keynes & a fresh dan white / ryan hunter collaboration turner street sound. stay tuned for volume 2, coming late 2016!

following up swiftly from the fantastically wide screen forgetting ep, is a killer slice of djrum dancefloor pressure. over two tracks, we hear his classic combination of tough drums over ladened with colour, texture and attitude.

we dont know much about the artist behind this release. no repress. limited to 350 copies world wide.

major discoveries found in a chicago basement shared with world! this collection shows vast possibilities and a hope for the future of house music that there is much more we still don t know! keep your eyes and ears wide open and support this label! encourage the search to continue. note the mr. fingers sounding track included.

a love-token gifted to the summer 2016 from us at studio barnhus: the smash debut ep of mlir, a swedish musical collective fronted by marco gegenheimer and einar christoffersson, blurring the line between wide-eyed exotica and high-intensity festival blitzin. artwork by leolyxxx - man behind our logo, first-time cover designer for the label.

returning to music is love after his 2 sell out records is the man liam geddes, and we think this time we ve caught him at his purest. this ep is absolute fire! his 3rd outing for the label is a deep and dubby affair but with a musicality and rhythm thats going to make this one popular with a wide range of djs.

songs without words, suggestive and emotional transparency and connection, contemplation and departure, meditation and attack: this music fascinates from the very beginning. it has no need to boast or become talkative, but stays true to itself as it casually develops its poignant pulse and lets it grow, and grow. the web of sounds soon begins to radiate from within, it inspires images in ones head, and invites to musing and introspection. against the background of a wide horizon the details of their music join, develop a life of their own, and lift off to collective flights of ideas. this music is an invitation to listen without prejudice, offering a way to get lost in dreams while, at the same time, remaining solidly grounded and completely awake.

dave aju has been a black catalogue homie from nearly the beginning and we are excited to have him on board with this fantastic, wide-ranging ep of underground house bombs. all three tracks invoke underground soul/rnb and house a la detroit legend moodymann, but with that trademark aju twist

our fresh outing for kid caprice ep sees another new face join the dirt crew/ spiel family. our latest artist discovery is bal 5000 out of budapest, hungary. coming from a diverse genre background, his sound ranges from disco to techno, tastefully touched with indie and balearic. the title track, for kid caprice heralds a soulful bass line, easy house stabs, light hearted keys, gently swung percussion and sparkling disco licks, this ones a soundtrack for traversing the cosmos or blissfully swaying on a dance floor. dub version steps the energy up a notch. with its growling lead and steady lathered groove this one is wide and warm. on the b-side, farewell my lovely is melancholic yet uplifting, eerie synths sing over positive key hits and its lithe melodic lines playfully interact with the rolling bass giving this one a live synth-pop feel. wake up! its monday! is bouncing and joyous with a chunky bass at its core. a queasy lead wraps around the central ideas while rising arpeggios elevate the mood. finally, as digital only track, cop is a pumping italo influenced house jam brightened with classic disco elements. boasting a self assured bass and gritty rumbling analogue synths, this one is right at home under the lights.

little creatures returns from a slight vinyl hiatus with 2 big big jams. luke solomons personal hobby label has returned with some music from the vaults. the lead track sees look returning to the studio with his long time freak partner, jonny rock. the 2 were given the parts to a rather well known track and allowed do what they wished with it - they were then told that they were allowed to release - and bingo - mystery track was born. the flip side is lukes recent remix for psychedelic electronic act maiins. this version has been creating all sort of dance floor wobbles world wide

paris-based beat x changers brings up to you a new record with a collaborative project in the shape of classic cuts.our new release introduces two new french artists brought together on a split ep: tell from paris and name from the sunny avignon city, both of them backed- up by exclusive remixes from three of our historical beat x producers: neue grafik and pulkone (aka x_1 & monomite). on the a-side, discover tell - a 20-year old jazz drummer - who releases two soulful and melodic tracks. you’ll recognize the heat of the mpc grain, obsessing samples and uplifting breaks. on the b-side, southern producer name offers a disco-like and funky house music via two dancing tracks with a clear reference to the clubbing universe of new york and chicago. this activist dj and experimented producer – he is an ableton teacher on the side – gained recognition in the south of france music scene in the last decade and reached the ears of producer kink.grand Écart (i.e. wide gap or split) recalls the time it took to release this ep. it’s also a geographical gap, a gap between the ideas of the five artists brought together on this release, a gap between our expectations and the reality of some passed – or cancelled – venues in paris. we have always believed in this project and in our flexibility!

swiss dj & producer, mirko loko, continued to indulge in his intergalactic persuasions on last years long player comet plan. released on cadenza, mirkos second album was enthusiastically received and picked up many fans for its collection of blissfull and wide-eyed electronica and techno sounds. featured guests on the album included dops vocalist, jaw, and francesco tristano.

basement grey 003 by teersom - basement grey - dancing eyes wide shut

the second 12inch part of damian lazarus & the ancient moons – remixes from the other side project, the tracks from the compelling artist album message the other side have been reinterpreted by an assortment of producers for a remix album. this second remix 12inch, remixes from the other side (part ii), featuring remixes from juan atkins and kimyon huggins, kölsch, drumtalk and gorgon city. 2015 saw damian lazarus create his most ambitious project to date in the ancient moons, producing a full-length album ‘message from the other side co-produced by james ford (simian mobile disco, arctic monkeys, florence & the machine), with a wide assortment of vocalists and collaborators from around the world. they went on to support roisin murphy on tour

played by disco halal, red axes, rss disco, benjamin fröhlich, naduve
for its 4th release, malka tuti is welcoming j.a.k.a.m. to its ever-expanding family. born in tokyo japan, j.a.k.a.m. has been been one of the leading figures developing the music scene in japan from the early 90s as a dj, producer and a band member. his wide variety of musical influences ranges from house, hip hop, drum&bass, techno, reggae, jazz, rock and world music. with combining these different styles of inspirations and tradition, he creates the most unique time and space on the dance floor, a kind of fusion of early tribal house (recording live instruments in the studio), world music with a pinch of shamanic spiritual vibes. on his ep for malka tuti he delivers 2 original epic tunes, followed by a smokey dub version by versatile records boss gilb r and a total dance-floor smashing remix by aussie prodigy - dreems.

after his successful remix of orions gravity johannes volk returns to polytone with his debut ep. two excellent techno tracks are in place and a spaced out ambient piece called it could happen describes the mysterious view from a spacecraft cockpit into the wideness of the universe. on the a-side volk blows the whistle of the ep s title -asteroid riding- with funky chords accompanied by a wide deep bassline, short samples, classic percussions and a cropped stomping kick-drum, that let you ride through the orbit. on the b-side -earthbound- pounds with a broad hollow kick, arpeggiated synths, alerting sounds and a harmonically settled type of string-line that eases the elements diversity like the blue planets gravity. within the tracks that have been built to transport the feel of time and space, johannes volk again pushes himself on the cutting edge of electronic music.

2015 saw damian lazarus create his most ambitious project to date in the ancient moons, producing a full-length album message from the other side co-produced by james ford (simian mobile disco, arctic monkeys, florence & the machine), with a wide assortment of vocalists and collaborators from around the world. they went on to support roisin murphy on tour, gain wide acclaim from the likes and lazarus became the final cover-star of the year in the uks mixmag magazine. now the tracks from message the other side have been reinterpreted by an assortment of producers for a remix album. three of these remixes will be released as an ep entitled remixes from the other side (part i), featuring remixes from red axes, acid pauli and mehmet asian. the second remix ep will following in a few weeks.

this first release from parisian crew deviant disco, reflects the spirit of their parties and their tastes. open minded diggers, looking for unknown gems to share, this maxi is aimed for djs with a wide range of style : from afrobeat to newbeat, or balearic, italo disco, proto-house, with their french touch and sunny vibe, this tracks will make the dancefloor burn.

after 10 years away from vinyl, 3am wax vol.1 hails a return to 12 on the label, now in its 13th year. the ep features an all-3am regular artist cast, three making their debut on vinyl and one making a return to 12 after a 12 year gap. 3am boss al bradley opens the ep, while label regulars carlo gambino, ben dean and michael scott all return for the 12-. with over 400 releases and remixes between the artists, the ep showcases in-house talent from the label - the emphasis on quality rather than names. ranging from berlin-influenced deepness through to raw analog acid house, the ep has been doing damage at label gigs throughout 2015 including berlin, ibiza, copenhagen, new york, london & label-home leeds, with plaudits and support also coming in from a wide range of djs from the promo

begr-001 by basement grey records is a 3 track 12- ep produced by teersom including a reinterpretation of b1 - waves e by felix k. the ep includes minimalistic and experimental soundscaping through the record made for dark dancefloors. the label and the record keeps an eye on the atmosphere where people enjoy dancing eyes wide shut.

basement grey 002 by teersom tracklist: a1 block6 8:26 b1 pitch blackness 7:32 b2 wheres the sun part 2 5:23 basement grey - dancing eyes wide shut

first light is the first full-length album of original songs from easy star all-stars. the easy star all-stars have built a huge following around the world, having sold over 350.000 records and played shows in over 30 countries on 6 continents. the band - a collective from the nyc scene overseen by producer/guitarist michael goldwasser - has always played original music in its live set, some of which was released on until that day, an original ep in 2008. first light is an important step in the band’s story, demonstrating a wide range of approaches to reggae, from progressive to classic, roots to futurist, confirming the all-stars place as one of the most influential acts on the us reggae scene. the album includes 12 songs and one dub, with guest appearances by the meditations, cas haley, junior jazz, lady ann and tony tuff.
the vinyl release includes a download code.

cellar, the second solo ep from na (daniel pineda of nguzunguzu) on fade to mind, is a kinetic and brooding journey through the ominous side of club music, a personal vision of dystopia and angst. with 5 tracks that showcase nas wide-ranging musical influences, the record provides a personal manifesto for pineda’s vision of club music for darker times.

unequal is a label founded by anselm from frankfurt am main in 2015. ranging from deep, spaced out analog techno to more droning, industrial rough sounds, the aim is to give an impression of whats going on in the ffm underground these days. sophisticated broken beats and modular synths are essential for this project. unequal means not to be just one specified style but an open-minded platform to express a diverse view of music within the techno genre. with his first ep called -gral-, anselm delivers some cold, moody techno tracks with spherical soundscapes as an connecting element. the title track on the a side is a journey through wide open extramundane synth layers and bubbling acid drops covered by a voluminous bass. b1 is a bit more conventional one with driving hi-hats and slightly jacking beat whereas b2 is four-to-the-floor trippy stripped-down minimalism for the heads.

soooo here we are with the tenth and final release, thought it would be nice to finish on a nice zen like number, so this is a extra special release kind of a mini lp almost -opened up by fx mchn flush the trush is an intro to the comp and a reverse funk skittish affair next up is new man on the block for us here we been sitting on a collection of his tracks but felt this one complemented this ep the most, ecco foul, gloss is a sleazy machine groove that does t do much but thats just the way we like it .then comes mr facade with his jerky funk sweet surprises and warm melodies. the b side is opened by another newcomer from running back record hugh mane new age dawns whose track come s deep and wide open has to be heard on the headphones as well as the club jamie blanco s chord arrangments get opened up and spaced out by lht office boy toby tobias in a detroitesque ditty thats been used to open a few sets in 2015 already and finally alphonse delivers an out and out machine jam with the usual dub influence brought in vocal fashion.